Pop Out Jewelry
Pop Out Jewelry – I generally avoid buying anything that needs to be assembled — not because I doubt my ability to assemble things, but because I associate “needs assembly” with “made cheaply in a faraway land.” Of course, that’s not always the case. But since I already have a propensity for antique/vintage/timeless/handcrafted things, I rarely buy big box.
But, I think, mass-produced items can have a soul, too. I’m intrigued by well-designed, well-made items that are successful on a large scale because they were so well thought out that a large number of people find them both useful and beautiful. In that way, there seems to be a connection between designer and consumer that we don’t generally associate with mass production.
Melissa Borrell’s Pop Out Jewelry is an example of a designer consciously trying to connect with the consumer. As her Web site describes, “the shapes come still attached to the metal from which they are cut. Just pop the shape out and hang it on the enclosed chain or ear hooks to make it into a piece of wearable art.” So, while a piece arrives looking mass produced, it requires a personal touch from the wearer in order to be useful. It’s an interesting way to try to share in the creation of an art object. But is it that different from buying and having to assemble, say, a coffee table? Does it all rest on the designer’s intention?
Pop Out Jewelry
Tags: Art Object, Borrell, Coffee Table, Designer Jewelry, Faraway Land, Hooks, Intention, Large Scale, Mass Production, Melissa, Personal Touch, Pop, Propensity, Shape, Shapes
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